It was Easyjet’s fault: the flight from Edinburgh had been delayed by four hours so we’d missed the speeches, the unveiling of the work and an “auld alliance”get together that had spilled outside to enjoy a warm, convivial French evening.
The venue – a cave-room in an ancient French fort – echoed and magnified the hissing, haunting, sound-light-movement installation. My photos don’t do it justice. It’s a powerful work and it made me reflect on the all-out turbinisation of our irreplaceable Scottish wilderness. There will soon be no view from any hilltop that isn’t sullied by windmills, pylons, dams or roads. I hope Robbie’s work can help influence a wider audience when it is on show in Glasgow in October.
There was more to explore in Lyon too. Flights of aerobic steps led forever upwards to the white basilica on the hill, while sculptures, graffiti and the new metallic monster museum graced the banks of the Rhōne and the Saōne. All of it art.