Taxi dash to The New Alps
The champagne bottles had been drained by the time we sprang out of the taxi and in to the exhibition on the outskirts of Lyon. We were late and the party was clearly winding down.
It was Easyjet’s fault: the flight from Edinburgh had been delayed by four hours so we’d missed the speeches, the unveiling of the work and an “auld alliance”get together that had spilled outside to enjoy a warm, convivial French evening.
But I hadn’t reckoned on us being V.I.P’s. (By association, only) That resulted in below-the-counter corks being discretely popped and an exclusive viewing of the work by the artist (My Boy) himself.
The venue – a cave-room in an ancient French fort – echoed and magnified the hissing, haunting, sound-light-movement installation. My photos don’t do it justice. It’s a powerful work and it made me reflect on the all-out turbinisation of our irreplaceable Scottish wilderness. There will soon be no view from any hilltop that isn’t sullied by windmills, pylons, dams or roads. I hope Robbie’s work can help influence a wider audience when it is on show in Glasgow in October.
There was more to explore in Lyon too. Flights of aerobic steps led forever upwards to the white basilica on the hill, while sculptures, graffiti and the new metallic monster museum graced the banks of the Rhōne and the Saōne. All of it art.