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Posts from the ‘Shetland’ Category

Visiting Elmelunde

There’s a kirk on the island of Møn in the south east of Denmark that’s special – and not just because it’s where my camino friend Nikolaj was christened.

The tall white church in Elmelunde is famous for its outstanding frescos which were painted in the fifteenth century and then hidden below layers of whitewash for centuries. The gentle drawings were restored in the 1960s and they appeal to me because they seem so honest and simple, and use natural colours to depict everyday rural activities like harvesting, ploughing and hunting. Flowers and plants delicately separate the scenes and there is religious symbolism too, with illustrations of stories from the Bible.

While I knew, of course, that the main area of worship in a church is the nave, I’d forgotten the Christian metaphor of comparing the church itself to a ship. And at P1000146Elmelunde I also discovered the Danish tradition of hanging ships in a religious building, a custom which originated with pagan beliefs that offering a miniature version would offer safe voyage for the full sized vessel and its crew.

I thought of the Viking longboats which sailed with such acquisitive intent to Shetland and other parts of Scotland and the fear these blessed ships once engendered in my ancestors. It’s just a few days, after all, since I was hearing about the Danish “visitors” from a very different perspective.

I loved the sense of simplicity at Elmelunde. I can admire the glorious rich gold altarpieces of French and Spanish cathedrals and the creativity of the spectacular Sistine Chapel ceiling, but these whitewashed P1000151walls topped with quiet frescos naturally drew my gaze heavenwards and I felt surprisingly at home here.

“Takk” , Nikolaj, for taking me. I too have a home church that’s very special and understand how much it means to share it.

Just saying …

My new pal, Granville-the-photographer-who-doesn’t-like-to-walk, sat down beside me as I sheltered from the rain in the Lerwick museum coffee shop.

The Shetland Isles are littered with professional and amateur photographers from all over the world and you trip over them in graveyards, on hillsides, behind cliffs and down by the shore snapping otters and seals.

I first met Granville lurking round a standing stone on Unst. Next it was on the Yell ferry crossing. And then he turned up again today. We’re clearly old friends now so I suppose he felt he could be blunt.

Anyway, we’d been sitting talking about places we want to visit and he mentioned Venice. I said it was high on my list too but because it was such a romantic destination I was putting off and waiting to go with someone special.

He raised an old grey eyebrow. “Well, if you’ve still to find him I wouldn’t leave it too long,” he mused.

Just say it as it is, why don’t you, Granville of the great name.

North by north

When it takes not one but two ferries to reach an island the feeling of remote otherworldliness is intensified. When the culture there speaks more of Norse history, of viking longhouses and longboats, and when rocks are all that break up a sub-Arctic desert landscape, you know you’ve travelled a long way from the familiar in your own country.

So it is with Unst.

I drove as far north as the road would take me, past wild Shetland ponies, freshwater lochs and the bemused-looking native sheep and lambs that freely roam, then walked a long way out across open peaty moors to a wildlife haven to sit, buffeted by the relentless Shetland wind, above the high Hermaness cliffs on the northernmost edge of these isolated  islands.

In the near distance, just past the frantic nesting colonies of gannets, puffins, kittiwakes and fulmers was the reassuring solid white form of  Muckle IMG_6773Flugga lighthouse, built by Robert Louis Stevenson’s father in 1854. And then, north by north to the Arctic Circle, nothing but white-topped grey waves breaking turquoise over the rocks. The birds whirled in the gusting wind then the rain changed its mood from gentle to battering, driving me to find shelter in a hollow near the cliffs.

I met a German photographer there who shared his hot tea as we huddled against the banks and watched the weather develop . We had both been up here before, had developed impressions, images and ideas in our imaginations, and were returning after IMG_6690many years in search of the atmosphere and conditions in which to create new work. As the weather worsened I figured my job was easier than his and retreated back over the moors in search of a bed and a dry place where a pen would work.

The bonxies, the notorious Pirates of the Sea, were brutal beasts; bigger, beefier and much more prolific than I had imagined. They didn’t attack as I walked through their nesting grounds along the path to the cliffs, but wanted me to know they could if they felt like it and had a sinister glint in their eyes as they carried out arrogant reconnaissance missions just above my head. They looked as though they could do serious damage if provoked, or maybe even just for random  fun on a day when too many twitchers dared to disturb their far-flung garrison.

I’ve run out of roads, ferries and even moorland as Muckle Flugga is the very last, most northerly rock in the UK . I can now only turn round and travel south.

In the land of the Simmer Dim

My head is full of clouds. And that’s not a metaphor.

After two days in Shetland my eyes are reeling from the clarity of the light and the intensity of a vast, rapidly changing sky. There’s a never-ending cloudscape drama playing out here between the wind, the sun and the weather and it’s set against a backdrop of turbines, gravestones, rocks and ruins. As I travel I’m constantly stopping to take photographs then to stand still and just watch the movement cross the sky.

Up here on the far northern edge of Europe there are no trees or shrubs to soften the bare starkness of the islands so every feature stands out, defined sharply against  sea and sky. I’m no fan of wind farms and oppose their unchecked development throughout mainland Scotland yet here their cold linearity somehow seems to fit the landscape and add to its drama. And they’re efficient here too, the most productive in the world.

I’ve done a lot of wandering round ancient brochs and buildings and spent hours reading gravestones. On the outskirts of Lerwick there’s a IMG_6557graveyard on the hill tiered down to the edge of the sea so that every grave has a view of the islands and cliffs. A beautiful place.

When it rained I visited the new museum in Scalloway with its captivating exhibition on the “Shetland Bus”, the small scale wartime missions masterminded here and conducted by sailors who took small fishing vessels between these islands and Norway, fuelling the Resistance there and rescuing people from the tyranny of German occupation. The stories of bravery, of boats lost with no survivors and voyages made in horrendous weather make for powerful reading.

Tomorrow I’m tempted to head further north to the island of Unst, and its most northerly point at Hermaness to see the puffins and Bonxies. And I’ve been advised to take a stick to protect myself from attacks by these Great Skuas which dive-bomb and attack as you walk across the moors.

Ah Shetland, whether it’s birds, landscapes or men, you’re not for the faint-hearted.


Shetland Calling

I’ve been writing a fictional story for the last few months which is set in Shetland and I’m about to fly up there for a few days to do some research.

Writing is something I’ve done every day all my life, but for the last 30 years or so it has been as a journalist, working for newspapers, magazines and BBC radio and television. Getting out and meeting folk, interacting with them and hearing their stories has always been the best bit of the process so sitting in front of a laptop inventing it all can be a poor (and often lonely) substitute.

So that’s why I’m taking time away from my desk to get out and meet people who can give me the information I need to add credibility to my story. Already I’ve interviewed several professionals who have been extremely generous with their time and information and incredibly supportive and encouraging when I’ve outlined the plot – or the parts of it that are relevant to them.

One former detective I consulted two weeks ago got so involved he’s still trying to work out how he can “nail” a character he has taken a violent dislike to! And that sort of passionate response has been immensely helpful because there are many days when I sit down in the morning and know that pursuing this dream is a crazy gamble. All around me friends are rushing around earning a living and saving towards their pensions, meanwhile I’m living nomadically; housesitting and camping and cautiously exploring the possibility of making a campervan my future home. Am I insane?

Possibly. But for the moment I’m going to stick with my story and am excited about the travel to Shetland. We did a lot of filming there when I worked in television and I always loved the starkness of the place, the hardness of the land, the contrasting softness of the voices and the warmth and generosity of the people. I’m looking forward to finding locations for my drama by walking around Lerwick, revisiting Unst and going to Whalsay for the first time. I’m hiring a car and hopefully a bike for the islands to get me closer to the landscape and the smell of the place.

And it will be so light up there in the land of the Simmir Dim when the sun dips below the horizon for only a few hours a day. Islands, summer, writing, water, travel; I intend to make the most of it.